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      Le po&#232;te et critique contemporain Jean-Michel Espitallier affirme : <i>&#171; Si la po&#233;sie peut parler de fleurs, il lui arrive aussi de parler de tractopelle, du journal de 20 heures et de Shrek. Il lui arrive m&#234;me de parler de po&#233;sie </i>[...]<i>. Au fond le po&#232;te peut parler de tout (et de rien) mais l&#224; n'est pas vraiment le propos. Car le sujet n'est pas le sujet. Ce qui compte, c'est la fa&#231;on qu'il a de parler, de faire parler, d'en parler. &#187;</i>
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      Vous expliquerez cette opinion selon laquelle la po&#233;sie peut parler de tout (y compris d'elle-m&#234;me) puisque ce qui la d&#233;finit est un usage particulier du langage.
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      Vous vous appuierez sur les textes du corpus et vos lectures personnelles.
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    <p>
      <b>rep&#233;rer</b>&#160;sur la citation chaque mot qui m&#233;rite d'&#234;tre &#233;tudi&#233;&#160;&#160;
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      <b>expliciter chaque mot</b>&#160;: synonymes, antonymes, d&#233;notation, connotation, associations d'id&#233;es...
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      <b>expliquer</b>&#160;le sens des articulations logiques
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      pour &#233;viter le hors-sujet et enrichir l'interpr&#233;tation&#160;&#160;
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      du sujet
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      texte C
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      <b>Aller des oeuvres lues vers le sujet donn&#233; :</b>
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      lister les oeuvres que vous connaissez et chercher des &#233;l&#233;ments qui peuvent servir d'arguments et d'exemples
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    <p>
      Aller de l&#8217;analyse de la citation vers les exemples :
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      <b>une fois divers arguments &#233;tablis, chercher des exemples pour illustrer ces arguments</b>
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      expliquer et reformuler le sens de la citation&#160;&#160;
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      en s'appuyant sur l'&#233;tude des mots cl&#233;s&#160;&#160;&#160;&#160;&#160;
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